{"id":867,"date":"2022-09-19T22:01:37","date_gmt":"2022-09-19T20:01:37","guid":{"rendered":"https:\/\/flatsome.samuelgogola.sk\/?p=867"},"modified":"2022-09-27T15:47:00","modified_gmt":"2022-09-27T13:47:00","slug":"analyza-1-casti-beethovenovej-klavirnej-sonaty-es-dur-op-81a","status":"publish","type":"post","link":"https:\/\/www.terezajadudova.com\/sk\/analyza-1-casti-beethovenovej-klavirnej-sonaty-es-dur-op-81a\/","title":{"rendered":"Anal\u00fdza 1.\u010dasti Beethovenovej Klav\u00edrnej son\u00e1ty Es dur Op.81"},"content":{"rendered":"<section class=\"section\" id=\"section_529349590\">\n\t\t<div class=\"bg section-bg fill bg-fill  bg-loaded\" >\n\n\t\t\t\n\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n\n<div class=\"row\"  id=\"row-1154199650\">\n\n\n\t<div id=\"col-2088640734\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\n<h2><b>Anal\u00fdza 1.\u010dasti Beethovenovej Klav\u00edrnej son\u00e1ty Es dur Op.81a<span class=\"Apple-converted-space\">&nbsp;<\/span><\/b><\/h2>\n<h2><b>\u201eLes Adieux\u201c<\/b><\/h2>\n<p><em>Semin\u00e1rna pr\u00e1ca &#8211; Te\u00f3ria hudby<\/em><\/p>\n<p><b>Hist\u00f3ria vzniku diela<\/b><\/p>\n<p>Beethovenova Son\u00e1ta Es dur op.81a bola nap\u00edsan\u00e1, aby vyjadrila sm\u00fatok nad odchodom arcivojvodu Rudolfa (1788-1831), ke\u010f sa k&nbsp;mestu bl\u00ed\u017eila franc\u00fazska arm\u00e1da. Rudolf odi\u0161iel z&nbsp;Viedne s&nbsp;cis\u00e1rovnou a&nbsp;zvy\u0161kom Habsburgovcov 4.m\u00e1ja 1809. Arcivojvoda Rudolf bol najmlad\u0161\u00edm synom cis\u00e1ra Leopolda II. Do Viedne sa pres\u0165ahoval, ke\u010f sa jeho najstar\u0161\u00ed brat arcivojvoda Franti\u0161ek stal cis\u00e1rom. Rudolf bol d\u00f4le\u017eit\u00fdm patr\u00f3nom hudobn\u00edkov, s&nbsp;Beethovenom sa prv\u00fdkr\u00e1t stretol v&nbsp;zime 1803-4 a&nbsp;stal sa jeho \u017eiakom, priate\u013eom a&nbsp;finan\u010dn\u00fdm podporovate\u013eom. Beethoven ho vyu\u010doval kompoz\u00edciu viac ako dve dek\u00e1dy.<\/p>\n<p>T\u00e1to son\u00e1ta m\u00e1 3 \u010dasti, pri\u010dom ka\u017ed\u00e1 m\u00e1 svoj vlastn\u00fd podtitul:<\/p>\n<ol>\n<li>Das Lebewohl (Les Adieux)<\/li>\n<li>Abwesenheit (L\u00b4Absence)<\/li>\n<li>Das Wiedersehen (Le Retour)<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><b>Anal\u00fdza prvej \u010dasti \u201eLes Adieux\u201c<\/b><\/p>\n<p>Prv\u00e1 \u010das\u0165 Beethovenovej Son\u00e1ty Es dur je nap\u00edsan\u00e1 v&nbsp;sonata-allegro forme s&nbsp;pomalou introdukciou. Cel\u00e1 \u010das\u0165 m\u00e1 5 \u00fasekov: introdukcia, expoz\u00edcia, rozvedenie, repr\u00edza, k\u00f3da.<\/p>\n<p>Introdukcia Adagio obsahuje 2 mot\u00edvy, ktor\u00e9 s\u00fa posluch\u00e1\u010dovi predostren\u00e9 v&nbsp;prv\u00fdch dvoch taktoch. Mot\u00edv A (\u010derven\u00e1 farba)&nbsp;tvoria tri klesaj\u00face t\u00f3ny G-F-Es, mot\u00edv B (modr\u00e1 farba) tvor\u00ed<span class=\"Apple-converted-space\">&nbsp; <\/span>st\u00fapaj\u00faca kvarta Es-As. Mot\u00edv A&nbsp;m\u00e1 ve\u013emi d\u00f4le\u017eit\u00fa \u00falohu ako tematick\u00fd zdroj pre cel\u00fa skladbu \u2013 taktie\u017e zjednocuje cel\u00fa \u010das\u0165 pomocou r\u00f4znorod\u00fdch vari\u00e1ci\u00ed, augment\u00e1ci\u00ed a&nbsp;dimin\u00faci\u00ed.<\/p>\n<div class=\"row\"  id=\"row-1469829859\">\n\n\n\t<div id=\"col-2118723448\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_694519924\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img decoding=\"async\" width=\"1020\" height=\"604\" src=\"https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.58.33-1024x606.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.58.33-1024x606.png 1024w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.58.33-300x177.png 300w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.58.33-768x454.png 768w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.58.33.png 1290w\" sizes=\"(max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_694519924 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n<\/div>\n<p>Mel\u00f3dia introdukcie je rozvinut\u00e1 v&nbsp;\u0161iestich taktoch v&nbsp;2\/4 metre. Op\u00e4\u0165 zaznie vo vari\u00e1cii v&nbsp;takte 7, tentoraz viac rozpracovan\u00e1 a&nbsp;ozdoben\u00e1 (zelen\u00e1 farba). Harmonicky sa v&nbsp;introdukcii neobjav\u00ed kompletn\u00e1 tonika (prv\u00fdkr\u00e1t zaznie v&nbsp;t.21), pomocou vz\u0165ahov je iba pomyselne nazna\u010den\u00e1. Prv\u00e9mu s\u00fazvuku ch\u00fdba kvinta, druh\u00fd m\u00f4\u017eeme vn\u00edma\u0165 ako dominantu, av\u0161ak s&nbsp;vynechanou terciou, a&nbsp;za \u0148ou prich\u00e1dza klamn\u00fd spoj \u2013 teda prv\u00fd kompletn\u00fd s\u00fazvuk je c molov\u00fd kvintakord (teda VI. stupe\u0148 v&nbsp;Es dur (fialov\u00e1 farba)). Mot\u00edv B rytmicky pripom\u00edna konsk\u00fd cval (odchod cis\u00e1rskych ko\u010dov?), \u010falej prech\u00e1dza pomocou protipohybov cez r\u00f4zne s\u00fazvuky, nikde sa ale harmonicky neust\u00e1li (v \u013eavej ruke b-e sa rozv\u00e1dza do a-f, to sa roz\u0161iruje na as-fis = dvojit\u00e1 centraliz\u00e1cia t\u00f3nu g, st\u00e1le v\u0161ak nie v&nbsp;kontexte toniky; a&nbsp;potom znovu v&nbsp;stredn\u00fdch hlasoch (ru\u017eov\u00e1 farba)). Takt \u010d.5 je posunut\u00fdm \u0161tvrt\u00fdm taktom o&nbsp;okt\u00e1vu vy\u0161\u0161ie (\u017elt\u00e1 farba). V&nbsp;\u0161iestom takte sa nach\u00e1dzame v&nbsp;dominantnom priestore, av\u0161ak po \u0148om nenasleduje tonika, ale mimoton\u00e1lny zmen\u0161eno-zmen\u0161en\u00fd akord. Takty 12-16 maj\u00fa pauzami oddelen\u00fd mot\u00edv A&nbsp;v&nbsp;protipohybe, pri\u010dom na miestach, kde by sa mohla vyskytn\u00fa\u0165 tonika Es dur zaznieva rovnomenn\u00fd es mol alebo mimoton\u00e1lna dominanta k&nbsp;subdominante (ako sekundakord des-es-g-b; pr\u00edslu\u0161n\u00e9 miesta ozna\u010den\u00e9 oran\u017eovou farbou).<span class=\"Apple-converted-space\">&nbsp;<\/span><\/p>\n<div class=\"row\"  id=\"row-1849098529\">\n\n\n\t<div id=\"col-649007171\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_237049189\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img decoding=\"async\" width=\"1020\" height=\"468\" src=\"https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.58.54-1024x470.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.58.54-1024x470.png 1024w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.58.54-300x138.png 300w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.58.54-768x352.png 768w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.58.54.png 1275w\" sizes=\"(max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_237049189 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n<\/div>\n<p>Expoz\u00edcia sa za\u010d\u00edna v&nbsp;allegro tempe v&nbsp;alla breve metre v&nbsp;takte 17. Prv\u00fd akord je netradi\u010dne subdominantn\u00fd sextakord (bledomodr\u00e1 farba). Za n\u00edm nasleduje kombin\u00e1cia oboch mot\u00edvov \u2013 st\u00fapaj\u00face kvarty (modr\u00e1 farba) a&nbsp;pod nimi Le-be-wohl (\u010derven\u00e1 farba) (v \u013eavej ruke \u0161armantn\u00e1 chromatika &#8211; \u017elt\u00e1 farba). Protipohybom v&nbsp;takte 20 sa zv\u00fd\u0161i nap\u00e4tie, ktor\u00e9 sa kone\u010dne uvo\u013en\u00ed v&nbsp;\u010fal\u0161om takte, v&nbsp;ktorom prich\u00e1dza prv\u00fdkr\u00e1t plnokrvn\u00e1 tonika. V&nbsp;taktoch 21-29 prich\u00e1dza hlavn\u00e1 t\u00e9ma (2&#215;4 takty; vyzna\u010den\u00e9 zelenou farbou), mel\u00f3dia je zv\u00fdraznen\u00e1 v&nbsp;okt\u00e1vach, sprievod je rozpohybovan\u00fd, pri\u010dom kostrov\u00e9 oporn\u00e9 basov\u00e9 t\u00f3ny s\u00fa mot\u00edvom A&nbsp;v&nbsp;inverzii (Es-F-G). V&nbsp;takte 24 nast\u00e1va na tretej dobe kol\u00edzia \u2013 stret B-Ces (ces sa \u0165ah\u00e1 k&nbsp;t\u00f3nu b, ktor\u00fd je najprv z\u00e1kladn\u00fdm t\u00f3nom dominanty, a&nbsp;hne\u010f za t\u00fdm kvintou toniky). V&nbsp;takte 28 sa dost\u00e1vame do subdominantn\u00e9ho priestoru, v&nbsp;ktorom sme neboli od za\u010diatku expoz\u00edcie; e smeruje k&nbsp;f, es k&nbsp;d v&nbsp;\u010fal\u0161om takte, v&nbsp;ktorom sa z\u00e1rove\u0148 za\u010d\u00edna spojovac\u00ed \u00fasek na dominante.<\/p>\n<div class=\"row\"  id=\"row-749059560\">\n\n\n\t<div id=\"col-1531227960\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_559191754\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img decoding=\"async\" width=\"1020\" height=\"829\" src=\"https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.03-1024x832.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.03-1024x832.png 1024w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.03-300x244.png 300w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.03-768x624.png 768w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.03.png 1283w\" sizes=\"(max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_559191754 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n<\/div>\n<p>Spojovac\u00ed \u00fasek m\u00f4\u017eeme roz\u010dleni\u0165 na 2 \u010dasti \u2013 t.29-34, t.35-49. Beethoven pracuje r\u00f4znymi sp\u00f4sobmi s&nbsp;mot\u00edvom<span class=\"Apple-converted-space\">&nbsp; <\/span>A \u2013 najprv protipohybom v&nbsp;behoch (hned\u00e1 farba), potom v&nbsp;augment\u00e1cii (\u010derven\u00e1 farba), hr\u00e1 sa s&nbsp;intervalmi, striedav\u00fdmi t\u00f3nmi (oran\u017eov\u00e1 farba).<\/p>\n<div class=\"row\"  id=\"row-1240335358\">\n\n\n\t<div id=\"col-1415026106\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_309962301\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img decoding=\"async\" width=\"1020\" height=\"449\" src=\"https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.10-1024x451.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.10-1024x451.png 1024w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.10-300x132.png 300w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.10-768x339.png 768w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.10.png 1266w\" sizes=\"(max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_309962301 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n<\/div>\n<p>Ved\u013eaj\u0161ia t\u00e9ma m\u00e1 8 taktov 50-58 (op\u00e4\u0165 2&#215;4 takty, druh\u00fdkr\u00e1t o&nbsp;okt\u00e1vu ni\u017e\u0161ie), plynulo vych\u00e1dza zo spojovacieho \u00faseku (striedav\u00e9 osminov\u00e9 noty &#8211; neust\u00e1ly pohyb = \u017elt\u00e1 farba, augmentovan\u00fd mot\u00edv A&nbsp;v&nbsp;sopr\u00e1ne = \u010derven\u00e1 farba). Ton\u00e1lnym centrom je B dur, teda dominanta hlavnej toniky Es dur. V&nbsp;base je z\u00e1dr\u017e z\u00e1kladn\u00e9ho t\u00f3nu B (fialov\u00e1 farba), nad n\u00edm s\u00fa prie\u0165ahy (ru\u017eov\u00e1 farba), ktor\u00e9 umoc\u0148uj\u00fa B dur. V&nbsp;takte 53 sa nach\u00e1dzame v&nbsp;dominantnom priestore (v tomto pr\u00edpade je to F dur), vo vrchn\u00fdch hlasoch centraliz\u00e1cia toniky a-es \u2014&gt; b-d (ru\u017eov\u00e1 farba). Tieto \u0161tyri takty zaznej\u00fa o&nbsp;okt\u00e1vu ni\u017e\u0161ie.&nbsp;<\/p>\n<div class=\"row\"  id=\"row-197632006\">\n\n\n\t<div id=\"col-1737598069\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1144137549\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img decoding=\"async\" width=\"1020\" height=\"579\" src=\"https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.16-1024x581.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.16-1024x581.png 1024w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.16-300x170.png 300w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.16-768x436.png 768w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.16.png 1284w\" sizes=\"(max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1144137549 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n<\/div>\n<p>Rozvedenie nie je propor\u010dne ve\u013emi rozsiahle \u2013 prebieha v&nbsp;taktoch 70-110. Beethoven kombinuje oba mot\u00edvy (aj ke\u010f preru\u0161ene, resp. s pozmenen\u00fdmi intervalmi) \u2013 dlh\u00e9 cel\u00e9 t\u00f3ny v&nbsp;pravej ruke z&nbsp;mot\u00edvu A, galop mot\u00edv B zas zaznieva v&nbsp;\u013eavej ruke (ob\u010das aj vo vrchom hlase). Vyu\u017e\u00edva aj n\u00e1pady zo spojovacieho \u00faseku (napr. striedav\u00e9 t\u00f3ny vyzna\u010den\u00e9 \u017eltou farbou). V&nbsp;rozveden\u00ed sa moduluje pomocou r\u00f4znych sekven\u010dn\u00fdch vzorcov do rozli\u010dn\u00fdch ton\u00e1lnych oblast\u00ed, menovite c mol, b mol, G dur, es mol, Ges<span class=\"Apple-converted-space\">&nbsp; <\/span>dur &#8211; nikde sa ale neust\u00e1li nadlho, preto by asi bolo vhodnej\u0161ie pou\u017ei\u0165 namiesto modul\u00e1cie pojmy ako vych\u00fdlenie, vybo\u010denie, pr\u00edpadne oscil\u00e1cia okolo ur\u010ditej ton\u00e1lnej oblasti. Z\u00e1rove\u0148 m\u00f4\u017eeme rozvedenie rozdeli\u0165 na nieko\u013eko men\u0161\u00edch sekci\u00ed (vyzna\u010den\u00e9 zelenou farbou). Arcivojvodove kone sa op\u00e4\u0165 rozbehn\u00fa osminov\u00fdm pohybom v takte 109.<\/p>\n<div class=\"row\"  id=\"row-1882708238\">\n\n\n\t<div id=\"col-1013384961\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_969777571\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img decoding=\"async\" width=\"1020\" height=\"943\" src=\"https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.25-1024x947.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.25-1024x947.png 1024w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.25-300x277.png 300w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.25-768x710.png 768w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.25.png 1276w\" sizes=\"(max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_969777571 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n<\/div>\n<p>Repr\u00edza sa za\u010d\u00edna v&nbsp;takte 110 (kon\u010d\u00ed v&nbsp;takte 161), v\u0161etky t\u00e9my a&nbsp;\u00faseky z&nbsp;expoz\u00edcie sa navr\u00e1tia do toniky Es dur. V\u0161etko je zopakovan\u00e9 takmer identicky, a\u017e na mal\u00e9 zmeny v&nbsp;base v&nbsp;hlavnej t\u00e9me (vyzna\u010den\u00e9 \u010dervenou farbou; ed\u00edcie vydania nie s\u00fa jednotn\u00e9 v tomto pr\u00edpade). \u010ealej je oran\u017eovou farbou vyzna\u010den\u00e1 harmonick\u00e1 zmena oproti expoz\u00edcii. Beethoven v spojovacom \u00faseku pripravuje ved\u013eaj\u0161iu t\u00e9mu, ktor\u00e1 tentoraz zaznie v<span class=\"Apple-converted-space\">&nbsp; <\/span>tonike Es dur (namiesto dominantn\u00e9ho B dur v expoz\u00edcii). Inak platia v\u0161etky skuto\u010dnosti u\u017e pomenovan\u00e9 a vyzna\u010den\u00e9 v expoz\u00edcii.<\/p>\n<div class=\"row\"  id=\"row-1695036051\">\n\n\n\t<div id=\"col-307622074\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1974239294\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img decoding=\"async\" width=\"1020\" height=\"939\" src=\"https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.33-1024x943.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.33-1024x943.png 1024w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.33-300x276.png 300w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.33-768x707.png 768w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.33.png 1266w\" sizes=\"(max-width: 1020px) 100vw, 1020px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1974239294 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n\t<div id=\"col-1113613980\" class=\"col medium-6 small-12 large-6\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1326429375\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img decoding=\"async\" width=\"902\" height=\"1024\" src=\"https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.41-902x1024.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.41-902x1024.png 902w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.41-264x300.png 264w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.41-768x872.png 768w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.41.png 986w\" sizes=\"(max-width: 902px) 100vw, 902px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1326429375 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n<\/div>\n<p>T\u00e1to son\u00e1ta obsahuje k\u00f3du, ktor\u00e1 je dlh\u0161ia ako ktor\u00e1ko\u013evek in\u00e1 sekcia. D\u00e1 sa roz\u010dleni\u0165 na 3 \u00faseky:<\/p>\n<p>-Prv\u00fd \u00fasek (t. 162-180) je roz\u0161\u00edren\u00edm hlavnej t\u00e9my, centralizovanej tentoraz do f mol, potom do es mol (takt 175). Modul\u00e1cia je pripraven\u00e1 dominantou (resp. pri f mol mimoton\u00e1lnou dominantou C dur = bledomodr\u00e1 farba).<\/p>\n<div class=\"row\"  id=\"row-1633599248\">\n\n\n\t<div id=\"col-267743046\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_137441689\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img decoding=\"async\" width=\"1014\" height=\"1024\" src=\"https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.48-1014x1024.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.48-1014x1024.png 1014w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.48-297x300.png 297w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.48-150x150.png 150w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.48-768x776.png 768w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.48.png 1080w\" sizes=\"(max-width: 1014px) 100vw, 1014px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_137441689 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n<\/div>\n<p>-Druh\u00fd \u00fasek (t. 181-222) sa za\u010d\u00edna dial\u00f3gom medzi dvomi hlasmi, augmentovan\u00fdm mot\u00edvom A (\u010derven\u00e1 farba). Melodick\u00fdmi alter\u00e1ciami sa op\u00e4\u0165 dostaneme do Es dur (takt 197). Po konci tohto dial\u00f3gu sa za\u010d\u00edna virtu\u00f3zna pas\u00e1\u017e (t. 197-208; identick\u00e9 opakovanie okrem z\u00e1vere\u010dnej spojky t. 209-222 =&nbsp;<em>spojka je konkr\u00e9tne 2&#215;2 takty &#8211; 219-220 a 221-222, pri\u010dom v druhom pr\u00edpade s\u00fa takty o okt\u00e1vu ni\u017e\u0161ie (princ\u00edp nieko\u013ekokr\u00e1t u\u017e Beethovenom vyu\u017eit\u00fd v tejto \u010dasti) = vyzna\u010den\u00e9 zelenou farbou<\/em>) pod st\u00e1le augmentovan\u00fdm A&nbsp;(a nesk\u00f4r kr\u00e1ten\u00fdm) mot\u00edvom ide kontrapunkt v&nbsp;osminov\u00fdch hodnot\u00e1ch, ktor\u00fd sa vo\u013ene pohybuje pod alebo nad mel\u00f3diou.<\/p>\n<div class=\"row\"  id=\"row-738386172\">\n\n\n\t<div id=\"col-123403136\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_777525088\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img decoding=\"async\" width=\"1012\" height=\"1024\" src=\"https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.54-1012x1024.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.54-1012x1024.png 1012w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.54-297x300.png 297w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.54-768x777.png 768w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-21.59.54.png 1110w\" sizes=\"(max-width: 1012px) 100vw, 1012px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_777525088 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n<\/div>\n<p>-Tret\u00ed \u00fasek (t. 223-255 koniec) je znovu dial\u00f3gom postaven\u00fdm na mot\u00edve A (\u010derven\u00e1 farba). Beethoven ho imituje rozli\u010dn\u00fdmi rytmick\u00fdmi hodnotami. Od taktu 243 za\u010d\u00edna v&nbsp;base krokov\u00fd pohyb smerom nadol (Lebewohl), nad ktor\u00fdm je z\u00e1kladn\u00fd t\u00f3n Es ako z\u00e1dr\u017e (\u017elt\u00e1 farba). V&nbsp;pravej ruke sa znovu objav\u00ed osminov\u00fd virtu\u00f3zny beh (oran\u017eov\u00e1 farba), v&nbsp;r\u00e1mci t\u00f3niny Es dur. Zauj\u00edmav\u00e9 je uvedenie kvintol (ru\u017eov\u00e1 farba), ktor\u00e9 sa doteraz neobjavili. Na z\u00e1ver zaznie vo forte dominanta a&nbsp;tonika \u2013 arcivojvoda dorazil do cie\u013ea.<\/p>\n<div class=\"row\"  id=\"row-1446384048\">\n\n\n\t<div id=\"col-995981435\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\n\t<div class=\"img has-hover x md-x lg-x y md-y lg-y\" id=\"image_1372969684\">\n\t\t\t\t\t\t\t\t<div class=\"img-inner dark\" >\n\t\t\t<img decoding=\"async\" width=\"1017\" height=\"1024\" src=\"https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-22.00.04-1017x1024.png\" class=\"attachment-large size-large\" alt=\"\" srcset=\"https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-22.00.04-1017x1024.png 1017w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-22.00.04-298x300.png 298w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-22.00.04-150x150.png 150w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-22.00.04-768x774.png 768w, https:\/\/www.terezajadudova.com\/wp-content\/uploads\/2022\/09\/Snimka-obrazovky-2022-09-19-o-22.00.04.png 1243w\" sizes=\"(max-width: 1017px) 100vw, 1017px\" \/>\t\t\t\t\t\t\n\t\t\t\t\t<\/div>\n\t\t\t\t\t\t\t\t\n<style>\n#image_1372969684 {\n  width: 100%;\n}\n<\/style>\n\t<\/div>\n\t\n\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n<\/div>\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n<\/div>\n\n\t\t<\/div>\n\n\t\t\n<style>\n#section_529349590 {\n  padding-top: 30px;\n  padding-bottom: 30px;\n}\n<\/style>\n\t<\/section>","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-867","post","type-post","status-publish","format-standard","hentry","category-hudba"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Anal\u00fdza 1.\u010dasti Beethovenovej Klav\u00edrnej son\u00e1ty Es dur Op.81 | Tereza Ja\u010fu\u010fov\u00e1<\/title>\n<meta name=\"robots\" content=\"noindex, follow\" \/>\n<meta property=\"og:locale\" content=\"sk_SK\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Anal\u00fdza 1.\u010dasti Beethovenovej Klav\u00edrnej son\u00e1ty Es dur Op.81 | Tereza Ja\u010fu\u010fov\u00e1\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.terezajadudova.com\/sk\/analyza-1-casti-beethovenovej-klavirnej-sonaty-es-dur-op-81a\/\" \/>\n<meta property=\"og:site_name\" content=\"Tereza Ja\u010fu\u010fov\u00e1\" \/>\n<meta property=\"article:published_time\" content=\"2022-09-19T20:01:37+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-09-27T13:47:00+00:00\" \/>\n<meta name=\"author\" content=\"Terezka\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Autor\" \/>\n\t<meta name=\"twitter:data1\" content=\"Terezka\" \/>\n\t<meta name=\"twitter:label2\" content=\"Predpokladan\u00fd \u010das \u010d\u00edtania\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 min\u00fat\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.terezajadudova.com\/analyza-1-casti-beethovenovej-klavirnej-sonaty-es-dur-op-81a\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.terezajadudova.com\/analyza-1-casti-beethovenovej-klavirnej-sonaty-es-dur-op-81a\/\"},\"author\":{\"name\":\"Terezka\",\"@id\":\"https:\/\/www.terezajadudova.com\/#\/schema\/person\/445cf60521d82af5e56cafb21758732f\"},\"headline\":\"Anal\u00fdza 1.\u010dasti Beethovenovej Klav\u00edrnej son\u00e1ty Es dur Op.81\",\"datePublished\":\"2022-09-19T20:01:37+00:00\",\"dateModified\":\"2022-09-27T13:47:00+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\/\/www.terezajadudova.com\/analyza-1-casti-beethovenovej-klavirnej-sonaty-es-dur-op-81a\/\"},\"wordCount\":1652,\"publisher\":{\"@id\":\"https:\/\/www.terezajadudova.com\/#\/schema\/person\/445cf60521d82af5e56cafb21758732f\"},\"articleSection\":[\"SK: Hudba\"],\"inLanguage\":\"sk-SK\"},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.terezajadudova.com\/analyza-1-casti-beethovenovej-klavirnej-sonaty-es-dur-op-81a\/\",\"url\":\"https:\/\/www.terezajadudova.com\/analyza-1-casti-beethovenovej-klavirnej-sonaty-es-dur-op-81a\/\",\"name\":\"Anal\u00fdza 1.\u010dasti Beethovenovej Klav\u00edrnej son\u00e1ty Es dur Op.81 | Tereza Ja\u010fu\u010fov\u00e1\",\"isPartOf\":{\"@id\":\"https:\/\/www.terezajadudova.com\/#website\"},\"datePublished\":\"2022-09-19T20:01:37+00:00\",\"dateModified\":\"2022-09-27T13:47:00+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/www.terezajadudova.com\/analyza-1-casti-beethovenovej-klavirnej-sonaty-es-dur-op-81a\/#breadcrumb\"},\"inLanguage\":\"sk-SK\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/www.terezajadudova.com\/analyza-1-casti-beethovenovej-klavirnej-sonaty-es-dur-op-81a\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/www.terezajadudova.com\/analyza-1-casti-beethovenovej-klavirnej-sonaty-es-dur-op-81a\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Domovsk\u00e1 str\u00e1nka\",\"item\":\"https:\/\/www.terezajadudova.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Anal\u00fdza 1.\u010dasti Beethovenovej Klav\u00edrnej son\u00e1ty Es dur Op.81\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.terezajadudova.com\/#website\",\"url\":\"https:\/\/www.terezajadudova.com\/\",\"name\":\"Tereza Ja\u010fu\u010fov\u00e1\",\"description\":\"Classical Music Composer &amp; Arranger\",\"publisher\":{\"@id\":\"https:\/\/www.terezajadudova.com\/#\/schema\/person\/445cf60521d82af5e56cafb21758732f\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.terezajadudova.com\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"sk-SK\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\/\/www.terezajadudova.com\/#\/schema\/person\/445cf60521d82af5e56cafb21758732f\",\"name\":\"Terezka\",\"logo\":{\"@id\":\"https:\/\/www.terezajadudova.com\/#\/schema\/person\/image\/\"},\"url\":\"https:\/\/www.terezajadudova.com\/sk\/author\/terezka\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Anal\u00fdza 1.\u010dasti Beethovenovej Klav\u00edrnej son\u00e1ty Es dur Op.81 | Tereza Ja\u010fu\u010fov\u00e1","robots":{"index":"noindex","follow":"follow"},"og_locale":"sk_SK","og_type":"article","og_title":"Anal\u00fdza 1.\u010dasti Beethovenovej Klav\u00edrnej son\u00e1ty Es dur Op.81 | Tereza Ja\u010fu\u010fov\u00e1","og_url":"https:\/\/www.terezajadudova.com\/sk\/analyza-1-casti-beethovenovej-klavirnej-sonaty-es-dur-op-81a\/","og_site_name":"Tereza Ja\u010fu\u010fov\u00e1","article_published_time":"2022-09-19T20:01:37+00:00","article_modified_time":"2022-09-27T13:47:00+00:00","author":"Terezka","twitter_card":"summary_large_image","twitter_misc":{"Autor":"Terezka","Predpokladan\u00fd \u010das \u010d\u00edtania":"5 min\u00fat"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.terezajadudova.com\/analyza-1-casti-beethovenovej-klavirnej-sonaty-es-dur-op-81a\/#article","isPartOf":{"@id":"https:\/\/www.terezajadudova.com\/analyza-1-casti-beethovenovej-klavirnej-sonaty-es-dur-op-81a\/"},"author":{"name":"Terezka","@id":"https:\/\/www.terezajadudova.com\/#\/schema\/person\/445cf60521d82af5e56cafb21758732f"},"headline":"Anal\u00fdza 1.\u010dasti Beethovenovej Klav\u00edrnej son\u00e1ty Es dur Op.81","datePublished":"2022-09-19T20:01:37+00:00","dateModified":"2022-09-27T13:47:00+00:00","mainEntityOfPage":{"@id":"https:\/\/www.terezajadudova.com\/analyza-1-casti-beethovenovej-klavirnej-sonaty-es-dur-op-81a\/"},"wordCount":1652,"publisher":{"@id":"https:\/\/www.terezajadudova.com\/#\/schema\/person\/445cf60521d82af5e56cafb21758732f"},"articleSection":["SK: Hudba"],"inLanguage":"sk-SK"},{"@type":"WebPage","@id":"https:\/\/www.terezajadudova.com\/analyza-1-casti-beethovenovej-klavirnej-sonaty-es-dur-op-81a\/","url":"https:\/\/www.terezajadudova.com\/analyza-1-casti-beethovenovej-klavirnej-sonaty-es-dur-op-81a\/","name":"Anal\u00fdza 1.\u010dasti Beethovenovej Klav\u00edrnej son\u00e1ty Es dur Op.81 | Tereza Ja\u010fu\u010fov\u00e1","isPartOf":{"@id":"https:\/\/www.terezajadudova.com\/#website"},"datePublished":"2022-09-19T20:01:37+00:00","dateModified":"2022-09-27T13:47:00+00:00","breadcrumb":{"@id":"https:\/\/www.terezajadudova.com\/analyza-1-casti-beethovenovej-klavirnej-sonaty-es-dur-op-81a\/#breadcrumb"},"inLanguage":"sk-SK","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.terezajadudova.com\/analyza-1-casti-beethovenovej-klavirnej-sonaty-es-dur-op-81a\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.terezajadudova.com\/analyza-1-casti-beethovenovej-klavirnej-sonaty-es-dur-op-81a\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Domovsk\u00e1 str\u00e1nka","item":"https:\/\/www.terezajadudova.com\/"},{"@type":"ListItem","position":2,"name":"Anal\u00fdza 1.\u010dasti Beethovenovej Klav\u00edrnej son\u00e1ty Es dur Op.81"}]},{"@type":"WebSite","@id":"https:\/\/www.terezajadudova.com\/#website","url":"https:\/\/www.terezajadudova.com\/","name":"Tereza Ja\u010fu\u010fov\u00e1","description":"Skladate\u013eka a aran\u017e\u00e9rka","publisher":{"@id":"https:\/\/www.terezajadudova.com\/#\/schema\/person\/445cf60521d82af5e56cafb21758732f"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.terezajadudova.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"sk-SK"},{"@type":["Person","Organization"],"@id":"https:\/\/www.terezajadudova.com\/#\/schema\/person\/445cf60521d82af5e56cafb21758732f","name":"Terezka","logo":{"@id":"https:\/\/www.terezajadudova.com\/#\/schema\/person\/image\/"},"url":"https:\/\/www.terezajadudova.com\/sk\/author\/terezka\/"}]}},"_links":{"self":[{"href":"https:\/\/www.terezajadudova.com\/sk\/wp-json\/wp\/v2\/posts\/867","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.terezajadudova.com\/sk\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.terezajadudova.com\/sk\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.terezajadudova.com\/sk\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.terezajadudova.com\/sk\/wp-json\/wp\/v2\/comments?post=867"}],"version-history":[{"count":9,"href":"https:\/\/www.terezajadudova.com\/sk\/wp-json\/wp\/v2\/posts\/867\/revisions"}],"predecessor-version":[{"id":1175,"href":"https:\/\/www.terezajadudova.com\/sk\/wp-json\/wp\/v2\/posts\/867\/revisions\/1175"}],"wp:attachment":[{"href":"https:\/\/www.terezajadudova.com\/sk\/wp-json\/wp\/v2\/media?parent=867"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.terezajadudova.com\/sk\/wp-json\/wp\/v2\/categories?post=867"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.terezajadudova.com\/sk\/wp-json\/wp\/v2\/tags?post=867"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}