{"id":3125,"date":"2026-02-23T09:58:07","date_gmt":"2026-02-23T08:58:07","guid":{"rendered":"https:\/\/www.terezajadudova.com\/?p=3125"},"modified":"2026-02-23T10:28:10","modified_gmt":"2026-02-23T09:28:10","slug":"analyza-skladby-psalmus-hungaricus-od-zoltana-kodalya","status":"publish","type":"post","link":"https:\/\/www.terezajadudova.com\/sk\/analyza-skladby-psalmus-hungaricus-od-zoltana-kodalya\/","title":{"rendered":"Anal\u00fdza skladby PSALMUS HUNGARICUS od Zolt\u00e1na Kod\u00e1lya"},"content":{"rendered":"\n\n\t<section class=\"section\" id=\"section_1420811032\">\n\t\t<div class=\"section-bg fill\" >\n\t\t\t\t\t\t\t\t\t\n\t\t\t\n\n\t\t<\/div>\n\n\t\t\n\n\t\t<div class=\"section-content relative\">\n\t\t\t\n\n<div class=\"row\"  id=\"row-719893808\">\n\n\n\t<div id=\"col-1115222791\" class=\"col small-12 large-12\"  >\n\t\t\t\t<div class=\"col-inner\"  >\n\t\t\t\n\t\t\t\n\n<p><b>Anal\u00fdza skladby Psalmus Hungaricus od Zolt\u00e1na Kod\u00e1lya<\/b><\/p>\n<p><em>Semin\u00e1rna pr\u00e1ca &#8211;\u00a0 Estetick\u00e1 anal\u00fdza hudby<\/em><\/p>\n<p>\u00a0<\/p>\n<p>DOBOV\u00dd KONTEXT, VZNIK DIELA<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Zolt\u00e1n Kod\u00e1ly (1886(82-pod\u013ea niektor\u00fdch prame\u0148ov), Kecskem\u00e9t &#8211; 1967, Budape\u0161\u0165) bol v\u00fdznamn\u00fd ma\u010farsk\u00fd hudobn\u00fd skladate\u013e, pedag\u00f3g a etnomuzikol\u00f3g. Jeho otec bol prednostom vlakovej stanice a amat\u00e9rskym huslistom, matka spev\u00e1\u010dkou a klaviristkou. Ve\u013ek\u00fa \u010das\u0165 detstva pre\u017eil v Galante, kde sa nau\u010dil ovl\u00e1da\u0165 nielen hru na husliach a klav\u00edri, ale aj na violon\u010dele. V roku 1900 za\u010dal \u0161tudova\u0165 v Budape\u0161ti na Akad\u00e9mii pod veden\u00edm Hansa Koesllera. Po vy\u0161tudovan\u00ed za\u010dal zbiera\u0165 \u013eudov\u00e9 piesne a spolupracova\u0165 s B\u00e9lom Bart\u00f3kom. Z\u00edskal \u0161tipendium, v\u010faka ktor\u00e9mu sa v roku 1907 mohol in\u0161pirova\u0165 hudbou Clauda Debussyho v Par\u00ed\u017ei. Po n\u00e1vrate sa stal profesorom hudby na Akad\u00e9mii.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kod\u00e1ly a jeho kolega B\u00e9la Bart\u00f3k sa u\u017e po\u010das \u0161t\u00fadia za\u010dali zaobera\u0165 ma\u010farskou \u013eudovou hudbou<a href=\"#_ftn1\" name=\"_ftnref1\">[1]<\/a>. Kod\u00e1lyova doktorandsk\u00e1 pr\u00e1ca sa zaoberala \u0161trukt\u00farou ma\u010farskej \u013eudovej piesne, a teda dokazuje jeho skor\u00fd z\u00e1ujem o t\u00fato oblas\u0165. Jeho diela boli ovplyvnen\u00e9 mnoh\u00fdmi \u013eudov\u00fdmi pies\u0148ami, ktor\u00e9 zozbieral pre t\u00fato pr\u00e1cu.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Prv\u00e1 svetov\u00e1 vojna preru\u0161ila Kod\u00e1lyovu skladate\u013esk\u00fa kari\u00e9ru. Pred vojnou bol profesorom hudobnej te\u00f3rie a kompoz\u00edcie na Hudobnej akad\u00e9mii v Budape\u0161ti, zbieral a editoval \u013eudov\u00e9 piesne a publikoval hudobn\u00e9 kritiky. Ako skladate\u013e bol medzin\u00e1rodne uznan\u00fd, jeho diela sa hrali v Budape\u0161ti, Par\u00ed\u017ei a Zurichu. Po vojne sa z akad\u00e9mie stala univerzita a Kod\u00e1ly bol na 133 dn\u00ed\u00a0 jej z\u00e1stupcom. Ke\u010f\u017ee t\u00e1to poz\u00edcia s\u00favisela s kr\u00e1tkym komunistick\u00fdm prevratom (1919), po jeho ne\u00faspechu bol Kod\u00e1ly prepusten\u00fd a dostal z\u00e1kaz vyu\u010dova\u0165 na dva roky. Taktie\u017e jeho medzin\u00e1rodn\u00e1 kari\u00e9ra sa pozastavila.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Psalmus Hungaricus op.13 (1923) bol Kod\u00e1lyovou prvou ve\u013ekou kompoz\u00edciou po t\u00fdchto turbulentn\u00fdch povojnov\u00fdch rokoch. Nap\u00edsal ju v kr\u00e1tkom \u010dasovom rozmedz\u00ed dvoch mesiacov pri pr\u00edle\u017eitosti osl\u00e1v 50. v\u00fdro\u010dia zjednotenia samostatn\u00fdch mestsk\u00fdch \u010dast\u00ed Pe\u0161ti, Budy a \u00d3budy (Star\u00e1 Buda) v Budape\u0161\u0165.<a href=\"#_ftn2\" name=\"_ftnref2\">[2]<\/a> Skladba zo\u017eala okam\u017eit\u00fd \u00faspech a stala sa d\u00f4le\u017eit\u00fdm bodom v Kod\u00e1lyovej kari\u00e9re. Predvedenia bezprostredne nasledovali v Zurichu<a href=\"#_ftn3\" name=\"_ftnref3\">[3]<\/a>, Amsterdame, Cambridge a Lond\u00fdne, pri\u010dom Kod\u00e1ly bol z\u00e1rove\u0148 ich dirigentom.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kod\u00e1lyova prv\u00e1 rozsiahla zborov\u00e1\/orchestr\u00e1lna skladba, Psalmus Hungaricus, je nap\u00edsan\u00e1 pre zmie\u0161an\u00fd zbor, detsk\u00fd zbor, s\u00f3lo tenor, orchester a organ. Trv\u00e1 pribli\u017ene 23 min\u00fat. Detsk\u00fd zbor, ktor\u00fd kop\u00edruje sopr\u00e1ny a alty, p\u00f4vodne nebol pr\u00edtomn\u00fd, av\u0161ak Kod\u00e1ly ho pridal po prvej sk\u00fa\u0161ke, nako\u013eko us\u00fadil, \u017ee samotn\u00fd mie\u0161an\u00fd zbor by bol oslaben\u00fd (aj kv\u00f4li povojnovej situ\u00e1cii). Tenorista m\u00e1 n\u00e1ro\u010dn\u00fd part, pos\u00fava hudbu dopredu a preto je d\u00f4le\u017eit\u00e9, aby ho spieval siln\u00fd a dramatick\u00fd hlas, s viac-menej prirodzen\u00fdm c\u00edten\u00edm \u013eudov\u00e9ho deklama\u010dn\u00e9ho parlanda-rubata. Rola zboru sa men\u00ed od akt\u00edvneho \u00fa\u010dastn\u00edka dr\u00e1my k jej koment\u00e1torovi.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Samotn\u00fd text je parafr\u00e1zou \u017dalmu 55<a href=\"#_ftn4\" name=\"_ftnref4\">[4]<\/a> (to bol aj p\u00f4vodn\u00fd n\u00e1zov skladby) od ma\u010farsk\u00e9ho b\u00e1snika zo 16. storo\u010dia, protestantsk\u00e9ho kazate\u013ea Mih\u00e1ly Kecskem\u00e9ti V\u00e9ga (alebo Mih\u00e1ly V\u00e9g z Kecskem\u00e9tu<a href=\"#_ftn5\" name=\"_ftnref5\">[5]<\/a>, kde sa narodil aj Zolt\u00e1n Kod\u00e1ly). V tomto \u017ealme pros\u00ed kr\u00e1\u013e D\u00e1vid Boha, aby ho zbavil prenasledovania nepriate\u013emi. V\u00e9g pridal jeho vlastn\u00fd dramatick\u00fd a poetick\u00fd koment\u00e1r medzi p\u00f4vodn\u00e9 ver\u0161e. Kod\u00e1ly v\u0161ak niektor\u00e9 ver\u0161e \u00faplne vynechal (7.,8.,13.,16.,17. strofa z celkov\u00fdch 22).<a href=\"#_ftn6\" name=\"_ftnref6\">[6]<\/a><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tento text vyjadruje r\u00f4zne kontrastn\u00e9 em\u00f3cie, na jednej strane sm\u00fatok, zatrpknutos\u0165 a hnev a\u017e po uk\u013eudnenie a n\u00e1dej v bud\u00facnos\u0165. Ke\u010f si uvedom\u00edme, \u017ee tri roky pred vznikom tejto skladby prebehol Trianon (1920), ktor\u00fd dodnes bud\u00ed v\u00e1\u0161ne u mnoh\u00fdch Ma\u010farov, vid\u00edme, ako Kod\u00e1ly zhudobnen\u00edm tohto star\u00e9ho zabudnut\u00e9ho textu mu dodal nov\u00fd s\u00fa\u010dasn\u00fd a vlastne aj nad\u010dasov\u00fd kontext<a href=\"#_ftn7\" name=\"_ftnref7\">[7]<\/a>.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Po triumf\u00e1lnej premi\u00e9re v roku 1923 sa Psalmus Hungaricus stal medzin\u00e1rodne zn\u00e1mym a \u010dasto predv\u00e1dzan\u00fdm dielom. Dve centr\u00e1lne t\u00e9my &#8211; pob\u00farenie z prenasledovania a neust\u00e1le h\u013eadanie pokoja &#8211; s\u00fa st\u00e1le relevantn\u00e9 aj v dne\u0161nom svete.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Prv\u00e1 vydan\u00e1 ed\u00edcia z roku 1924 obsahuje ma\u010farsk\u00fd a nemeck\u00fd text, o \u0161tyri roky sa pridal aj anglick\u00fd preklad<a href=\"#_ftn8\" name=\"_ftnref8\">[8]<\/a>. K \u0161\u00edreniu diela prispelo aj mimoriadne r\u00fdchle vydanie<a href=\"#_ftn9\" name=\"_ftnref9\">[9]<\/a> v Universal Edition Vienna<a href=\"#_ftn10\" name=\"_ftnref10\">[10]<\/a>.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Jeho kari\u00e9ra napredovala, presl\u00e1vil sa aj komickou operou a suitou H\u00e1ry J\u00e1nos, met\u00f3dou vyu\u010dovania, Tancami z Marossz\u00e9ku a z Galanty, Symf\u00f3niou in C a predn\u00e1\u0161kami v r\u00f4znych k\u00fatoch sveta.<\/p>\n<p>Ciele Kod\u00e1lyho met\u00f3dy:<\/p>\n<ul>\n<li>Hudba je pre v\u0161etk\u00fdch.<\/li>\n<li>Hudba by sa mala vyu\u010dova\u0165postupne, a pri procese st\u00e1le myslie\u0165 na die\u0165a a jeho potreby.<\/li>\n<li>Deti by sa mali u\u010di\u0165 hudbu od ran\u00e9ho veku.<\/li>\n<li>Postupnos\u0165 by mala by\u0165 logick\u00e1 a mala by by\u0165 podobn\u00e1 tomu, ako ke\u010f sa deti u\u010dia jazyk.<\/li>\n<li>Hudobn\u00e9 hodiny by mali by\u0165 pr\u00edjemn\u00e9 a podnetn\u00e9.<\/li>\n<li>Spev je prv\u00fd a najd\u00f4le\u017eitej\u0161\u00ed n\u00e1stroj na u\u010denie sa hudobn\u00fdch konceptov.<\/li>\n<li>U\u010ditelia by mali vybera\u0165 kvalitn\u00fd materi\u00e1l z \u013eudov\u00fdch piesn\u00ed v materskom jazyku \u017eiakov.<\/li>\n<\/ul>\n<p>\u00a0<\/p>\n<p><a href=\"#_ftnref1\" name=\"_ftn1\">[1]<\/a>spoznali sa a za\u010dali spolupracova\u0165 a\u017e po vy\u0161tudovan\u00ed<\/p>\n<p><a href=\"#_ftnref2\" name=\"_ftn2\">[2]<\/a>Gala koncert sa konal 19. novembra 1923. Okrem Kod\u00e1lyovho Psalmus Hungaricus sa predviedli aj \u010fal\u0161ie diela od v\u00fdznamn\u00fdch skladate\u013eov, a to Tane\u010dn\u00e1 suita od B\u00e9lu Bart\u00f3ka a Festivalov\u00e1 overt\u00fara od Ern\u0151 Dohn\u00e1nyiho.<\/p>\n<p><a href=\"#_ftnref3\" name=\"_ftn3\">[3]<\/a>17., 18. j\u00fana 1926<\/p>\n<p><a href=\"#_ftnref4\" name=\"_ftn4\">[4]<\/a>odhadovan\u00fd vznik medzi rokmi 1561-1567<\/p>\n<p><a href=\"#_ftnref5\" name=\"_ftn5\">[5]<\/a>Kecskem\u00e9t &#8211; \u00f4sme najv\u00e4\u010d\u0161ie mesto v Ma\u010farsku,\u00a0 nach\u00e1dza sa medzi Budape\u0161\u0165ou a Szegedom<\/p>\n<p><a href=\"#_ftnref6\" name=\"_ftn6\">[6]<\/a>40 rokov po nap\u00edsan\u00ed Psalmus Hungaricus Kod\u00e1ly kon\u0161tatuje: <em>\u201cText \u017ealmu nepozn\u00e1 okrem filol\u00f3gov nikto. (\u2026) Keby som ne\u0161tudoval star\u00fa ma\u010farsk\u00fa literat\u00faru, nikdy by som nenap\u00edsal \u017ealm, preto\u017ee by som nena\u0161iel jeho text.\u201d<\/em><\/p>\n<p><a href=\"#_ftnref7\" name=\"_ftn7\">[7]<\/a>Mih\u00e1ly V\u00e9g odkazoval na pr\u00e1ve prebiehaj\u00face osmansk\u00e9 vp\u00e1dy na uhorsk\u00e9 \u00fazemie, \u010d\u00edm pouk\u00e1zal na utrpenie uhorsk\u00e9ho \u013eudu\/obyvate\u013estva, ke\u010f\u017ee o povedom\u00ed a pojme n\u00e1rod v tomto obdob\u00ed e\u0161te rozpr\u00e1va\u0165 nem\u00f4\u017eme. V kontexte \u00e9ry, v ktorej u\u017e \u017eil Zolt\u00e1n Kod\u00e1ly je to u\u017e, samozrejme,\u00a0 mo\u017en\u00e9 a nutn\u00e9.<\/p>\n<p><a href=\"#_ftnref8\" name=\"_ftn8\">[8]<\/a>prelo\u017eil Edward J. Dent, ktor\u00fd z\u00e1rove\u0148 organizoval anglick\u00fa premi\u00e9ru v Cambridge 30. novembra 1927<\/p>\n<p><a href=\"#_ftnref9\" name=\"_ftn9\">[9]<\/a>(UE 7547, klav\u00edrny v\u00fd\u0165ah: UE 7550)<\/p>\n<p><a href=\"#_ftnref10\" name=\"_ftn10\">[10]<\/a>vydavate\u013estvo za\u010dalo publikova\u0165 Kod\u00e1lyho diela v roku 1921<\/p>\n<p>\u00a0<\/p>\n<p>HLAVN\u00c1 T\u00c9MA<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Hlavn\u00e1 t\u00e9ma Psalmus Hungaricus je origin\u00e1lna t\u00e9ma od Kod\u00e1lya<a href=\"#_ftn1\" name=\"_ftnref1\">[11]<\/a>. V pozad\u00ed si v\u0161ak m\u00f4\u017eme v\u0161imn\u00fa\u0165 in\u0161pir\u00e1ciu historickou pies\u0148ou od Sebesty\u00e9na Tin\u00f3diho Egri hist\u00f3ri\u00e1nak summ\u00e1ja (Sum\u00e1r hist\u00f3rie Egeru) z roku 1553.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kod\u00e1ly za\u0161ifroval do t\u00e9my aj meno Mih\u00e1lya V\u00e9ga z Kecskem\u00e9tu (MIh\u00e1ly=MIkoron, MI=e, v\u00e9G=g). \u0160tvor\u010dekom vyzna\u010den\u00e9 na predo\u0161lom obr\u00e1zku si m\u00f4\u017eeme v\u0161imn\u00fa\u0165 ukryt\u00fa t\u00e9mu z gregori\u00e1nskeho chor\u00e1lu \u201cLauda Sion salvatorem\u201d od sv. Tom\u00e1\u0161a Akvinsk\u00e9ho.<\/p>\n<p>Vari\u00e1cie hlavnej t\u00e9my:<\/p>\n<ol>\n<li>alty a basy v okt\u00e1vach<\/li>\n<li>O kvintu vy\u0161\u0161ie, sopr\u00e1ny a tenory v okt\u00e1vach<\/li>\n<li>Harmoniz\u00e1cia, satb+detsk\u00fd chlap\u010densk\u00fd zbor, rytmicky zmenen\u00e9, inak modifikovan\u00e9<\/li>\n<li>Mel\u00f3dia Mikoron D\u00e1vid\u2026, text odli\u0161n\u00fd (Igaz vagy Uram\u2026)<\/li>\n<li>N\u00e1vrat k p\u00f4vodn\u00e9mu tvaru, \u017eensk\u00e9 hlasy a basy ztrojen\u00e9 v troch okt\u00e1vach, tenory s imita\u010dn\u00fdm kontrapunktom, text Szent D\u00e1vid\u2026<\/li>\n<\/ol>\n<p>Jednota diela je umocnen\u00e1 st\u00e1le sa opakuj\u00facimi mot\u00edvmi, od za\u010diatku po koniec, a rondov\u00fd princ\u00edp.<\/p>\n<p>\u00a0<\/p>\n<p><a href=\"#_ftnref1\" name=\"_ftn1\">[11]<\/a>Podobn\u00fa mel\u00f3diu pou\u017eil aj v skor\u0161\u00edch dielach, pies\u0148ov\u00fdch cykloch opus 5,6,9.<\/p>\n<p>\u00a0<\/p>\n<p>ANAL\u00ddZA<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Psalmus Hungaricus je nap\u00edsan\u00fd vo forme ronda. Zbor uvedie po\u010das celej skladby hlavn\u00fa t\u00e9mu (obr.1) celkovo p\u00e4\u0165kr\u00e1t ako ritornello. Mod\u00e1lna mel\u00f3dia obsahuje bodkovan\u00fd rytmus reflektuj\u00faci ma\u010farsk\u00fd text. Tento rytmus je ve\u013emi typick\u00fd pre pomal\u00e9 \u010dasti \u010dard\u00e1\u0161ov. Aj ke\u010f hlavn\u00e1 t\u00e9ma evokuje postupy \u013eudovej hudby<a href=\"#_ftn1\" name=\"_ftnref1\">[12]<\/a>, \u017eiadna priama cit\u00e1cia sa tu neobjavuje<a href=\"#_ftn2\" name=\"_ftnref2\">[13]<\/a>. Mel\u00f3dia, harm\u00f3nia a celkov\u00e1 \u0161trukt\u00fara skladby prezentuje synt\u00e9zu historick\u00fdch \u0161t\u00fdlov od stredoveku po dvadsiate storo\u010die.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pou\u017eite paraleln\u00fdch kv\u00ednt v poslednom zborovom ritornelle Kod\u00e1ly odkazuje na stredovek\u00e9 paraleln\u00e9 organum (obr.2). Zbor je na tomto mieste sprev\u00e1dzan\u00fd iba s\u00f3lov\u00fdm kontrabasom, ktor\u00fd zdvojuje l\u00edniu basov.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u010eal\u0161ia pas\u00e1\u017e (obr.3) je in\u0161pirovan\u00e1 renesan\u010dn\u00fdm sp\u00f4sobom p\u00edsania vstupov a vedenia hlasov. Tu je aj nazna\u010den\u00e9 mo\u017en\u00e9 zdvojenie hlasov detsk\u00fdm zborom. V orchestri sa objavuje organ, ktor\u00fd zn\u00e1sob\u00ed zborov\u00e9 harm\u00f3nie akordick\u00fdmi z\u00e1dr\u017eami.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pr\u00edklady barokov\u00fdch kompozi\u010dn\u00fdch techn\u00edk je v skladbe viacero. V obr.4 je ak\u00e1si \u201cnervozita\u201d zn\u00e1soben\u00e1, ke\u010f s\u00f3lista opisuje ako je obklopen\u00fd nepriate\u013emi. Orchestr\u00e1lna polyf\u00f3nia vyzdvihuje dr\u00e1mu, ke\u010f jednotliv\u00e9 n\u00e1stroje kr\u00fa\u017eia okolo vok\u00e1lnej l\u00ednii v kanonick\u00fdch n\u00e1stupoch.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Tone-painting m\u00f4\u017eeme n\u00e1js\u0165 v chromatick\u00fdch klesaj\u00facich mot\u00edvoch \u201cs\u0165a\u017enosti\u201d (obr.5), \u010di v osminovom mot\u00edve \u201ckr\u00eddla holubice\u201d (obr.6)<a href=\"#_ftn3\" name=\"_ftnref3\">[14]<\/a>, kde je nestabilita vytvoren\u00e1 st\u00e1le sa striedaj\u00facimi polt\u00f3nmi, charakterizuj\u00faca zlo a anjelsk\u00fdm arpeggiov\u00fdm sprievodom, ktor\u00fd pod\u010diarkuje tenorovu vieru v Boha.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 S\u00f3lista prezentuje v\u00e4\u010d\u0161inu ver\u0161ov \u017ealmu v \u0161iestich epiz\u00f3dach medzi piatimi zborov\u00fdmi ritornellami, v ktor\u00fdch zbor deklamuje text pridan\u00fd V\u00e9gom. Ka\u017ed\u00e9 ritornello je zalo\u017een\u00e9 na tom istom melodickom materi\u00e1li, ale ka\u017ed\u00e9 \u010fal\u0161ie uvedenie je dlh\u0161ie a mohutnej\u0161ie, okrem posledn\u00e9ho ritornella, ktor\u00e9 je reminiscenciou na prv\u00e9 \u201c\u010dist\u00e9\u201d (a transparentn\u00e9) uvedenie a sl\u00fa\u017ei tu ako epil\u00f3g celej skladby.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Skladba je delen\u00e1 na dve hlavn\u00e9 sekcie ( vi\u010f tabu\u013eky).<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 V prvej \u010dasti, ktor\u00fa by sme mohli ozna\u010di\u0165 ako \u201cS\u0165a\u017enos\u0165\u201d, hudba zn\u00e1zor\u0148uje sm\u00fatok a hnev pritomn\u00fd v texte. Vrchol nast\u00e1va v \u201cpla\u010di\u201d s\u00f3listu bez sprievodu (obr.7). Tento \u201cpla\u010d\u201d je zn\u00e1soben\u00fd pou\u017eit\u00edm chromatiky, vysokej tessitury, a fortissima a marcatissima a nach\u00e1dza sa v priestore kvartovej kostry.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Druh\u00e1 \u010das\u0165, nazvan\u00e1 \u201cProsba\u201d, vyjadruje vieru v Boha a n\u00e1dej vo vyslobodenie. Zbor sa prid\u00e1 k s\u00f3listovi dvakr\u00e1t, a to bez textu, iba ako farba, ktor\u00e1 umoc\u0148uje em\u00f3ciu z textu. Iba raz, a to na konci, prezentuje zbor ver\u0161e zo \u017dalmu. Po\u010das tejto zborovej epiz\u00f3dy nast\u00e1va druh\u00fd vrchol, a to spolu s cel\u00fdm orchestrom na triumf\u00e1lnom D durovom akorde.<\/p>\n<table width=\"653\">\n<tbody>\n<tr>\n<td width=\"72\">\n<p>\u00a0<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>A<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>\u00a0<\/p>\n<\/td>\n<td width=\"64\">\n<p>B<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>A1<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>\u00a0<\/p>\n<\/td>\n<td width=\"64\">\n<p>C<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>A2<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>\u00a0<\/p>\n<\/td>\n<td colspan=\"2\" width=\"65\">\n<p>D<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"72\">\n<p>t.1-15<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>t.15-24<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>t.25-29<\/p>\n<\/td>\n<td width=\"64\">\n<p>t.30-81<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>t.82-92<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>t.93-95<\/p>\n<\/td>\n<td width=\"64\">\n<p>t.96-130<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>t.131-144<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>t.145-154<\/p>\n<\/td>\n<td colspan=\"2\" width=\"65\">\n<p>t.155-186<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"72\">\n<p>Orchestr\u00e1lna introdukcia<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>Zborov\u00e9 ritornello<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>Orchestr\u00e1na medzihra<\/p>\n<\/td>\n<td width=\"64\">\n<p>Tenor s\u00f3lo Epiz\u00f3da 1<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>Zborov\u00e9 ritornello<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>Orchestr\u00e1na medzihra<\/p>\n<\/td>\n<td width=\"64\">\n<p>Tenor s\u00f3lo Epiz\u00f3da 2<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>Zborov\u00e9 ritornello<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>Orchestr\u00e1na medzihra<\/p>\n<\/td>\n<td colspan=\"2\" width=\"65\">\n<p>Tenor s\u00f3lo Epiz\u00f3da 3<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"72\">\n<p>\u00a0<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>A cappella, alto+ bas v okt\u00e1vach<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>\u00a0<\/p>\n<\/td>\n<td width=\"64\">\n<p>S\u0165a\u017enos\u0165 t.39, Kr\u00eddla t.58<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>sopr\u00e1ny+ tenory v okt\u00e1vach, forte<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>Mot\u00edv zla za\u010d\u00edna<\/p>\n<\/td>\n<td width=\"64\">\n<p>SSAA farba bez textu<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>SAATBB, orchester zdvojuje hlasy t.131-136<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>\u00a0<\/p>\n<\/td>\n<td colspan=\"2\" width=\"65\">\n<p>Vrchol prvok \u010dasti t.178-179, a cappella \u201cpla\u010d\u201d<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"72\">\n<p>\u00a0<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>\u00a0<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>\u00a0<\/p>\n<\/td>\n<td width=\"64\">\n<p>\u00a0<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>s\u0165a\u017enos\u0165 mot\u00edv v orchestri<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>\u00a0<\/p>\n<\/td>\n<td width=\"64\">\n<p>Zlo pokra\u010duje<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>A cappella t.137-144<\/p>\n<\/td>\n<td colspan=\"2\" width=\"64\">\n<p>\u00a0<\/p>\n<\/td>\n<td colspan=\"2\" width=\"65\">\n<p>\u00a0<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\" width=\"101\">\n<p>A\u2019<\/p>\n<\/td>\n<td colspan=\"2\" width=\"90\">\n<p>E<\/p>\n<\/td>\n<td colspan=\"3\" width=\"90\">\n<p>\u00a0<\/p>\n<\/td>\n<td colspan=\"2\" width=\"90\">\n<p>F<\/p>\n<\/td>\n<td colspan=\"3\" width=\"90\">\n<p>A3<\/p>\n<\/td>\n<td colspan=\"2\" width=\"90\">\n<p>G<\/p>\n<\/td>\n<td colspan=\"2\" width=\"90\">\n<p>A4<\/p>\n<\/td>\n<td width=\"11\">\n<p>\u00a0<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\" width=\"101\">\n<p>t.187-194<\/p>\n<\/td>\n<td colspan=\"2\" width=\"90\">\n<p>t.195-219<\/p>\n<\/td>\n<td colspan=\"3\" width=\"90\">\n<p>t.220-240<\/p>\n<\/td>\n<td colspan=\"2\" width=\"90\">\n<p>t.241-268<\/p>\n<\/td>\n<td colspan=\"3\" width=\"90\">\n<p>t.269-293<\/p>\n<\/td>\n<td colspan=\"2\" width=\"90\">\n<p>t.294-380<\/p>\n<\/td>\n<td colspan=\"2\" width=\"90\">\n<p>t.381-395<\/p>\n<\/td>\n<td width=\"11\">\n<p>\u00a0<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\" width=\"101\">\n<p>Orchestr\u00e1na medzihra<\/p>\n<\/td>\n<td colspan=\"2\" width=\"90\">\n<p>Tenor s\u00f3lo a zbor Epiz\u00f3da 4<\/p>\n<\/td>\n<td colspan=\"3\" width=\"90\">\n<p>Orchestr\u00e1na medzihra<\/p>\n<\/td>\n<td colspan=\"2\" width=\"90\">\n<p>Tenor s\u00f3lo Epiz\u00f3da 5<\/p>\n<\/td>\n<td colspan=\"3\" width=\"90\">\n<p>Zborov\u00e9 ritornello<\/p>\n<\/td>\n<td colspan=\"2\" width=\"90\">\n<p>Zbor, orchester Epiz\u00f3da 6<\/p>\n<\/td>\n<td colspan=\"2\" width=\"90\">\n<p>Zborov\u00e9 ritornello Epil\u00f3g<\/p>\n<\/td>\n<td width=\"11\">\n<p>\u00a0<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\" width=\"101\">\n<p>Hudobn\u00fd materi\u00e1l z introdukcie<\/p>\n<\/td>\n<td colspan=\"2\" width=\"90\">\n<p>Imit\u00e1cia medzi tenorom a zborom<\/p>\n<\/td>\n<td colspan=\"3\" width=\"90\">\n<p>Seren\u00e1da, arpeggi\u00e1<\/p>\n<\/td>\n<td colspan=\"2\" width=\"90\">\n<p>Arpeggia doprovod v orchestri<\/p>\n<\/td>\n<td colspan=\"3\" width=\"90\">\n<p>SSAATTBBB \u201cA\u201d melodick\u00fd materi\u00e1l s nov\u00fdm textom<\/p>\n<\/td>\n<td colspan=\"2\" width=\"90\">\n<p>Vrchol druhej \u010dasti t.369-371<\/p>\n<\/td>\n<td colspan=\"2\" width=\"90\">\n<p>SATBB a solo kontrabas, SABB v okt\u00e1vach, T v paraleln\u00fdch kvint\u00e1ch a protimel\u00f3die<\/p>\n<\/td>\n<td width=\"11\">\n<p>\u00a0<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td colspan=\"2\" width=\"101\">\n<p>\u00a0<\/p>\n<\/td>\n<td colspan=\"2\" width=\"90\">\n<p>\u00a0<\/p>\n<\/td>\n<td colspan=\"3\" width=\"90\">\n<p>\u00a0<\/p>\n<\/td>\n<td colspan=\"2\" width=\"90\">\n<p>Nov\u00fd s\u00f3lov\u00fd a orchestr\u00e1lny materi\u00e1l<\/p>\n<\/td>\n<td colspan=\"3\" width=\"90\">\n<p>Imit\u00e1cia medzi zborom a orchestrom<\/p>\n<\/td>\n<td colspan=\"2\" width=\"90\">\n<p>\u00a0<\/p>\n<\/td>\n<td colspan=\"2\" width=\"90\">\n<p>Kon\u010d\u00ed v pp s pizzicatami v basoch<\/p>\n<\/td>\n<td width=\"11\">\n<p>\u00a0<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"87\">\u00a0<\/td>\n<td width=\"29\">\u00a0<\/td>\n<td width=\"33\">\u00a0<\/td>\n<td width=\"73\">\u00a0<\/td>\n<td width=\"11\">\u00a0<\/td>\n<td width=\"62\">\u00a0<\/td>\n<td width=\"16\">\u00a0<\/td>\n<td width=\"49\">\u00a0<\/td>\n<td width=\"57\">\u00a0<\/td>\n<td width=\"27\">\u00a0<\/td>\n<td width=\"68\">\u00a0<\/td>\n<td width=\"3\">\u00a0<\/td>\n<td width=\"60\">\u00a0<\/td>\n<td width=\"42\">\u00a0<\/td>\n<td width=\"43\">\u00a0<\/td>\n<td width=\"53\">\u00a0<\/td>\n<td width=\"6\">\u00a0<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Em\u00f3cie vyjadren\u00e9 v \u017dalme, V\u00e9gov koment\u00e1r a Kod\u00e1lyho hudba s\u00fa nad\u010dasov\u00e9 a st\u00e1le d\u00f4le\u017eit\u00e9 v dne\u0161nom r\u00fdchlo sa meniacom svete, a prehov\u00e1raj\u00fa k mnoh\u00fdm interpretom a posluch\u00e1\u010dom<\/p>\n<p><a href=\"#_ftnref1\" name=\"_ftn1\">[12]<\/a>vyu\u017e\u00edva pentatonick\u00e9 mot\u00edvy s plag\u00e1lnymi kadenciami<\/p>\n<p><a href=\"#_ftnref2\" name=\"_ftn2\">[13]<\/a>Kod\u00e1ly sa v \u010dase vzniku Psalmu zaoberal \u013eudovou tvorbou viac ako 20 rokov, a preto mal \u201c\u013eudov\u00fa re\u010d\u201d hlboko absorbovan\u00fa vo vlastnom hudobnom jazyku<\/p>\n<p><a href=\"#_ftnref3\" name=\"_ftn3\">[14]<\/a>obe fig\u00fary esa \u010dasto vyskytuj\u00fa aj v in\u00fdch dielach Z.Kod\u00e1lyho<\/p>\n<p>\u00a0<\/p>\n<p>TEXT<\/p>\n<table width=\"642\">\n<tbody>\n<tr>\n<td width=\"321\">\n<p><strong>Mikoron D\u00e1vid nagy b\u00fasult\u00e1ban<\/strong><\/p>\n<p><strong>Bar\u00e1ti miatt volna b\u00e1natban<\/strong><\/p>\n<p><strong>Panaszolkodv\u00e1n nagy haragj\u00e1ban<\/strong><\/p>\n<p><strong>Ilyen k\u00f6ny\u00f6rg\u00e9st kezde \u0151 mag\u00e1ban<\/strong><\/p>\n<p>\u00a0<\/p>\n<p><em>Istenem Uram! k\u00e9rlek t\u00e9gedet<\/em><\/p>\n<p><em>Ford\u00edtsad re\u00e1m szent szemeidet<\/em><\/p>\n<p><em>Nagy sz\u00fcks\u00e9gemben ne hagyj engemet<\/em><\/p>\n<p><em>Mert megem\u00e9szti nagy b\u00e1nat sz\u00edvemet<\/em><\/p>\n<p>\u00a0<\/p>\n<p><em><u>Csak s\u00edvok, r\u00edvok nagy nyavaly\u00e1mban<\/u><\/em><\/p>\n<p><em>Elfogyatkoztam gondolatimban<\/em><\/p>\n<p><em><u>Megkeseredtem nagy b\u00fasultomban<\/u><\/em><\/p>\n<p><em><u>Ellens\u00e9gemre val\u00f3 haragomban<\/u><\/em><\/p>\n<p>\u00a0<\/p>\n<p><em>Hogyha \u00e9nn\u00e9kem sz\u00e1rnyam lett volna<\/em><\/p>\n<p><em>Mint az galamb, elr\u00f6p\u00fcltem volna<\/em><\/p>\n<p><em>Hogyha az Isten engedte volna<\/em><\/p>\n<p><em>Inn\u00e9t \u00e9n r\u00e9gen elfutottam volna<\/em><\/p>\n<p>\u00a0<\/p>\n<p><em>Akarok ink\u00e1bb puszt\u00e1ban laknom<\/em><\/p>\n<p><em>Vadon erd\u0151ben sz\u00e9jjelbujdosnom;<\/em><\/p>\n<p><em>Hogynem mint azok k\u00f6z\u00f6tt lakoznom<\/em><\/p>\n<p><em>Kik igazs\u00e1got nem hagynak sz\u00f3lanom<\/em><\/p>\n<p><strong><u>Mikoron D\u00e1vid\u2026<\/u><\/strong><\/p>\n<p><em>\u00c9jjel \u00e9s nappal azon forg\u00f3dnak<\/em><\/p>\n<p><em>Engem mi m\u00f3don megfoghassanak<\/em><\/p>\n<p><em>Besz\u00e9dem miatt v\u00e1dolhassanak<\/em><\/p>\n<p><em>Hogy fogs\u00e1gomon \u0151k v\u00edgadhassanak<\/em><\/p>\n<p>\u00a0<\/p>\n<p><em>Eg\u00e9sz ez v\u00e1ros rakva haraggal<\/em><\/p>\n<p><em>Egym\u00e1sra val\u00f3 nagy bossz\u00fas\u00e1ggal<\/em><\/p>\n<p><em>Elh\u00edresedett az gazdas\u00e1ggal<\/em><\/p>\n<p><em><u>Hozz\u00e1 foghat\u00f3 nincsen \u00e1lnoks\u00e1ggal<\/u><\/em><\/p>\n<p><strong>(a\u2026)<\/strong><\/p>\n<p><em>Gyakorta k\u00f6zt\u00fck gy\u0171l\u00e9sek vannak<\/em><\/p>\n<p><em>\u00d6zvegyek, \u00e1rv\u00e1k nagy bossz\u00fat vallnak<\/em><\/p>\n<p><em><u>Isten szav\u00e1val \u0151k nem gondolnak<\/u><\/em><\/p>\n<p><em><u>Mert j\u00f3sz\u00e1gukban felfuvalkodtanak<\/u><\/em><\/p>\n<p><strong><u>Mikoron D\u00e1vid\u2026<\/u><\/strong><\/p>\n<p><em>Keser\u0171s\u00e9gem annyi nem volna<\/em><\/p>\n<p><em>Ha ellens\u00e9gt\u00fcl nyavaly\u00e1m volna<\/em><\/p>\n<p><em>Bizony k\u00f6nnyebben szenvedtem volna<\/em><\/p>\n<p><em>Magamat att\u00f3l meg\u00f3hattam volna<\/em><\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<\/td>\n<td width=\"321\">\n<p>V \u010dasoch, ke\u010f David bol ve\u013emi zarm\u00faten\u00fd,<\/p>\n<p>V d\u00f4sledku priate\u013eov, ktor\u00ed ho sklamali,<\/p>\n<p>Hnevne sa s\u0165a\u017eoval a hnal sa do hnevu,<\/p>\n<p>Za\u010dal takto prosi\u0165 s\u00e1m seba.<\/p>\n<p>\u00a0<\/p>\n<p>M\u00f4j Bo\u017ee, Pane, \u0165a pros\u00edm,<\/p>\n<p>Oto\u010d svoje sv\u00e4t\u00e9 o\u010di ku mne,<\/p>\n<p>Nenechaj ma v n\u00fadzi a utrpen\u00ed,<\/p>\n<p>Lebo siln\u00fd sm\u00fatok ma str\u00e1ca.<\/p>\n<p>\u00a0<\/p>\n<p>Len pla\u010dem a kri\u010d\u00edm v mojom ne\u0161\u0165ast\u00ed,<\/p>\n<p>Moje my\u0161lienky s\u00fa vy\u010derpan\u00e9,<\/p>\n<p>Moje hory sm\u00fatku sa menia na hnev,<\/p>\n<p>Hnev\u00e1m sa na svojich nepriate\u013eov.<\/p>\n<p>\u00a0<\/p>\n<p>Keby som mal kr\u00eddla a mohol odletie\u0165<\/p>\n<p>Ako holub, r\u00fdchlo by som odi\u0161iel,<\/p>\n<p>Ale ak by to Boh dovolil,<\/p>\n<p>D\u00e1vno by som sa u\u017e vzdialil odtia\u013eto.<\/p>\n<p>\u00a0<\/p>\n<p>Rad\u0161ej by som \u017eil v p\u00fa\u0161ti<\/p>\n<p>A b\u00fadal by som v divo\u010dine;<\/p>\n<p>Miesto toho, aby som b\u00fdval s t\u00fdmi,<\/p>\n<p>Ktor\u00ed mi nedovolia hovori\u0165 pravdu.<\/p>\n<p>\u00a0<\/p>\n<p>Vo dne aj v noci ma sleduj\u00fa,<\/p>\n<p>Sna\u017eia sa, ako ma m\u00f4\u017eu zadr\u017ea\u0165,<\/p>\n<p>Chc\u00fa ma obvini\u0165 kv\u00f4li mojim slov\u00e1m,<\/p>\n<p>A by\u0165 \u0161\u0165astn\u00ed z m\u00f4jho uv\u00e4znenia.<\/p>\n<p>\u00a0<\/p>\n<p>Cel\u00e9 mesto je pln\u00e9 hnevu,<\/p>\n<p>S\u00fa tam ve\u013ek\u00e9 nepriate\u013estv\u00e1,<\/p>\n<p>S\u00fa zn\u00e1mi svojou zradou,<\/p>\n<p>Nem\u00e1 to obdobu.<\/p>\n<p>\u00a0<\/p>\n<p>\u010casto sa sch\u00e1dzaj\u00fa dohromady,<\/p>\n<p>Vdovy a siroty vyjadruj\u00fa hnev,<\/p>\n<p>Neh\u013eadaj\u00fa radostne Bo\u017eie slovo,<\/p>\n<p>Ale s\u00fa nadut\u00ed vo svojom majetku.<\/p>\n<p>\u00a0<\/p>\n<p>Ak by som mal iba nepriate\u013eov,<\/p>\n<p>Bol by som trpel menej,<\/p>\n<p>Mohol som sa s\u00e1m pred nimi chr\u00e1ni\u0165,<\/p>\n<p>Ale to nebolo moje najv\u00e4\u010d\u0161ie sklamanie.<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td width=\"321\">\n<p><em>De bar\u00e1tomnak azkit v\u00e9lek volt<\/em><\/p>\n<p><em>Nagy ny\u00e1jass\u00e1gom kivel egy\u00fctt volt<\/em><\/p>\n<p><em>J\u00f3 h\u00edrem-nevem, tisztess\u00e9gem volt<\/em><\/p>\n<p><em><u>F\u0151 ellens\u00e9gem, most l\u00e1tom, hogy az volt<\/u><\/em><\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p><em><u>Keser\u0171 hal\u00e1l sz\u00e1lljon fej\u00e9re<\/u><\/em><\/p>\n<p><em>Ellens\u00e9gemnek \u00edt\u00e9let\u00e9re<\/em><\/p>\n<p><em>\u00c1lnoks\u00e1g\u00e1nak b\u00fcntet\u00e9s\u00e9re<\/em><\/p>\n<p><em><u>Hitetlens\u00e9gnek kijelent\u00e9s\u00e9re<\/u><\/em><\/p>\n<p><strong><u>(a\u2026)<\/u><\/strong><\/p>\n<p><strong><em>\u00c9n pedig, Uram, hozz\u00e1d ki\u00e1ltok<\/em><\/strong><\/p>\n<p><strong><em>Reggel \u00e9s d\u00e9lben, este k\u00f6ny\u00f6rg\u00f6k<\/em><\/strong><\/p>\n<p><strong><em>Megszabadul\u00e1st tet\u0151led v\u00e1rok<\/em><\/strong><\/p>\n<p><strong><em>Az ellens\u00e9gt\u0151l mert \u00e9n igen tartok<\/em><\/strong><strong><em> (<\/em><\/strong><strong><u>2x<\/u><\/strong><strong><em>)<\/em><\/strong><\/p>\n<p>\u2014-<\/p>\n<p><em>Te az\u00e9rt lelkem, gondolatodat<\/em><\/p>\n<p><em>Istenben vessed bizodalmadat<\/em><\/p>\n<p><em>R\u00f3lad elv\u00e9szi <u>minden terhedet<\/u><\/em><\/p>\n<p><em>\u00c9s meghallgatja te k\u00f6ny\u00f6rg\u00e9sedet<\/em><\/p>\n<p>\u00a0<\/p>\n<p><strong><u>Igaz vagy Uram, \u00edt\u00e9letedben<\/u><\/strong><\/p>\n<p><strong><u>A v\u00e9rszop\u00f3kat \u0151 idej\u00f6kben<\/u><\/strong><\/p>\n<p><strong><u>Te meg nem \u00e1ldod szerencs\u00e9j\u00f6kben<\/u><\/strong><\/p>\n<p><strong>Hossz\u00fa \u00e9let\u00f6k nem l\u00e9szen a f\u00f6ld\u00f6n<\/strong><\/p>\n<p>\u00a0<\/p>\n<p><strong>Az igazakat te mind megtartod<\/strong><\/p>\n<p><strong>A kegyeseket megoltalmazod<\/strong><\/p>\n<p><strong>A szeg\u00e9nyeket <u>felmagasztalod<\/u><\/strong><\/p>\n<p><strong>A kev\u00e9lyeket <u>al\u00e1hajig\u00e1lod<\/u><\/strong><\/p>\n<p>\u00a0<\/p>\n<p><strong>Ha egy kev\u00e9ss\u00e9 megkeser\u00edted<\/strong><\/p>\n<p><strong>Az \u00e9g\u0151 t\u0171zben elb\u00e9tasz\u00edtod<\/strong><\/p>\n<p>\u00a0<\/p>\n<p><strong><u>Nagy hamars\u00e1ggal onn\u00e9t kivonszod<\/u><\/strong><\/p>\n<p><strong><u>Nagy tisztess\u00e9gre ism\u00e9t felemeled<\/u><\/strong><strong><u> (2x)<\/u><\/strong><\/p>\n<p>\u00a0<\/p>\n<p><strong>Szent D\u00e1vid \u00edrta az zsolt\u00e1rk\u00f6nyvben<\/strong><\/p>\n<p><strong>\u00d6tven\u00f6t\u00f6dik d\u00edcs\u00e9ret\u00e9ben<\/strong><\/p>\n<p><strong>Melyb\u0151l az h\u00edvek keser\u0171s\u00e9gben<\/strong><\/p>\n<p><strong>V\u00edgasztal\u00e1s\u00e9rt sz\u00f6rz\u00e9k \u00edgy versekben<\/strong><\/p>\n<p>\u00a0<\/p>\n<p>(Tu\u010dn\u00e9 p\u00edsmo=zbor, kurz\u00edva=tenor s\u00f3lo, pod\u010diarknut\u00fd=vrchol, forte)<\/p>\n<\/td>\n<td width=\"321\">\n<p>To, \u010do ma sklamalo e\u0161te viac,<\/p>\n<p>Bol m\u00f4j priate\u013e, ktor\u00e9ho som si myslel,<\/p>\n<p>\u017de bol spo\u013eahliv\u00fd a d\u00f4veryhodn\u00fd,<\/p>\n<p>Teraz vid\u00edm, \u017ee bol moj\u00edm hlavn\u00fdm nepriate\u013eom.<\/p>\n<p>\u00a0<\/p>\n<p>Nech hork\u00e1 smr\u0165 na\u0148ho dopadne,<\/p>\n<p>Nech ho s\u00fad\u00ed jeho nepriate\u013e,<\/p>\n<p>Nech je potrestan\u00fd za svoju zradu,<\/p>\n<p>Nech je odhalen\u00fd jeho neverou.<\/p>\n<p>\u00a0<\/p>\n<p>Ja vol\u00e1m k tebe, Pane,<\/p>\n<p>R\u00e1no, napoludnie a ve\u010der pros\u00edm,<\/p>\n<p>O\u010dak\u00e1vam, \u017ee ma vyslobod\u00ed\u0161,<\/p>\n<p>Preto\u017ee sa ve\u013emi boj\u00edm svojich nepriate\u013eov.<\/p>\n<p>ORCHESTR\u00c1LNA MEDZIHRA<\/p>\n<p>Skl\u00e1\u0148 svoju du\u0161u a svoje my\u0161lienky v Bohu,<\/p>\n<p>Ver v Neho a ulo\u017e svoju d\u00f4veru v \u0147om,<\/p>\n<p>On odstr\u00e1ni <u>v\u0161etky tvoje bremen<\/u><u>\u00e1<\/u><\/p>\n<p>A vypo\u010duje tvoje prosby.<\/p>\n<p>\u00a0<\/p>\n<p>Si spravodliv\u00fd, Pane, vo svojom s\u00fade,<\/p>\n<p>V \u010dasoch, ke\u010f nepriatelia s\u00fa siln\u00ed,<\/p>\n<p>Nedovol\u00ed\u0161 im prosperova\u0165,<\/p>\n<p>Ich dlh\u00fd \u017eivot na zemi nebude.<\/p>\n<p>\u00a0<\/p>\n<p>Ty zachov\u00e1\u0161 t\u00fdch spravodliv\u00fdch,<\/p>\n<p>Ochr\u00e1ni\u0161 t\u00fdch, ktor\u00ed s\u00fa vern\u00ed,<\/p>\n<p><u>Vznesie\u0161 <\/u>t\u00fdch, ktor\u00ed s\u00fa biedni,<\/p>\n<p>A <u>pokor\u00ed\u0161<\/u> t\u00fdch, ktor\u00ed s\u00fa py\u0161n\u00ed.<\/p>\n<p>\u00a0<\/p>\n<p>Aj ke\u010f \u0165a trochu skl\u00e1meme,<\/p>\n<p>Nech\u00e1me horie\u0165 v ohni,<\/p>\n<p>\u00a0<\/p>\n<p>R\u00fdchlo n\u00e1s odtia\u013e vyslobod\u00ed\u0161<\/p>\n<p>A op\u00e4\u0165 n\u00e1s <u>dv\u00edha\u0161<\/u> na vysok\u00e9 miesto.<\/p>\n<p>\u00a0<\/p>\n<p>Sv\u00e4t\u00fd D\u00e1vid to nap\u00edsal v \u017ealmocharbe,<\/p>\n<p>Vo svojej p\u00e4\u0165desiatej chv\u00e1le,<\/p>\n<p>Z ktorej vern\u00ed nach\u00e1dzaj\u00fa \u00fatechu<\/p>\n<p>Vo svojom horkom sm\u00fatku.<\/p>\n<p>\u00a0<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>\u00a0<\/p>\n<p><em>Pozn.: Bez zverejnen\u00fdch obr\u00e1zkov.<\/em><\/p>\n<p>\u00a0<\/p>\n\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\n\n<\/div>\n\n\t\t<\/div>\n\n\t\t\n<style>\n#section_1420811032 {\n  padding-top: 30px;\n  padding-bottom: 30px;\n}\n<\/style>\n\t<\/section>\n\t\n\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-3125","post","type-post","status-publish","format-standard","hentry","category-hudba"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Anal\u00fdza skladby PSALMUS HUNGARICUS od Zolt\u00e1na Kod\u00e1lya | Tereza Ja\u010fu\u010fov\u00e1<\/title>\n<meta name=\"robots\" content=\"noindex, 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